Hwang's story retains the Chinatown setting and the inter-generational and immigrant themes, and emphasizes the romantic relationships. The piece did not return to Broadway until 2002, when a version with a plot by playwright David Henry Hwang (but retaining most of the original songs) was presented after a successful Los Angeles run. When it was put on the stage, lines and songs that might be offensive were often cut. The musical, much lighter-hearted than Lee's novel, was profitable on Broadway and was followed by a national tour.Īfter the release of the 1961 film version, the musical was rarely produced, as it presented casting issues and fears that Asian-Americans would take offense at how they are portrayed. The team hired Gene Kelly to make his debut as a stage director with the musical and scoured the country for a suitable Asian – or at least, plausibly Asian-looking – cast. Rodgers and Hammerstein shifted the focus of the musical to his son, Wang Ta, who is torn between his Chinese roots and assimilation into American culture. Lee's novel focuses on a father, Wang Chi-yang, a wealthy refugee from China, who clings to traditional values in San Francisco's Chinatown. It was adapted for a 1961 musical film.Īfter their extraordinary early successes, beginning with Oklahoma! in 1943, Richard Rodgers and Oscar Hammerstein II had written two musicals in the 1950s that did not do well and sought a new hit to revive their fortunes. It premiered on Broadway in 1958 and was then performed in the West End and on tour. It is based on the 1957 novel, The Flower Drum Song, by Chinese-American author C. Flower Drum Song was the eighth musical by the team of Rodgers and Hammerstein.
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